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Below are some candid photos I’ve taken of Poetryland’s Personalities.

“One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes… Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.”

“Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.”

“The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence… The Photograph then becomes a bizarre medium, a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest, shared hallucination (on the one hand ‘it is not there,’ on the other ‘but it has indeed been’): a mad image, chafed by reality.”

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Adam Fitzgerald holds an M.F.A. from Columbia University. His poems have appeared in Chortle Bread, Contemporary Phallacies, Slave Grime and Igloo Dust. Rumors have it that he edits Maggy. His manuscript was recently rejected from The Alaskan Retirement Home Quarterly Press. He is presently at work on no collaborations. He lives with his wife and two children in the East Village.

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