Because there is only interval quiet,
the impossibility of silence
even after midnight, I am reaching
for a distant tone: a single word, a sum
of melody and rhythm in their absence.
Clouds with glowing edges suggest
extension. Inaudible dust and moths
hovering around the floodlight offer
suspension. If I say sound alone
comprises song, which supposes
location, the committee of crickets asserts
intention. Great jazz only happens
in hard-hitting cities, another era.
Even minor sidemen knew that
to build a ballad you must
shape heartbreak, mimic the ostinato
of heart-pump and bloodflow, know
when to release a slow
brushstroke across the snare drum.
When to surrender a breath.
Night air streams in place of daylight.
A new variation of tired smells—
mown grass, a neighbor’s faint cigarette,
my perspiration—insists recollection.
Not everyone raised here stays.
X has not called in eighteen weeks.
It’s perfectly fine to be consoled
by a three-chord cliché, to circle
the darkening blocks until
your knees ache like the overplayed
pop song you can’t name or forget.
The far-off dog barking is never a stray.
This is no route through, this is not
a destination. And so the record collection
expands, the shelf sags lower.
The best jackets involve sad, beautiful
faces viewed through some blue lens.
Every blues is a plea for that face to stay.
The last window glowing blue goes dark.
This late pain is a light
metallic taste I want to vibrate,
and the dreadnought I play proposes
possession. This guitar’s as good as stolen.
I have scratched my name inside.
I own its mahogany body but not its tone.
Jason Labbe‘s poems have appeared or are forthcoming in Poetry, Boston Review, A Public Space, Conjunctions, Colorado Review, American Letters & Commentary, and elsewhere. He is the author of the chapbooks Dear Photographer (Phylum Press) and Blackwash Canal (H_NGM_N BKS). A drummer, he has recorded and performed with various artists in New Haven and New York, including Snake Oil, Charles Burst, Latitude/Longitude, Weigh Down, and M.T Bearington, among others. He lives in Bethany, Connecticut, where he makes music in his basement studio when he is not making it elsewhere.