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Adam Fitzgerald

Terrible Eyes: On a Newly Discovered Photograph of Arthur Rimbaud

Thumbnail image for Terrible Eyes: On a Newly Discovered Photograph of Arthur Rimbaud April 18, 2010

I followed deadpan Rivers down and down,
And knew my haulers had let go the ropes.
Whooping redskins took my men as targets
And nailed them nude to technicolour posts.

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100 Chimes at Midnight

Thumbnail image for 100 Chimes at Midnight April 10, 2010

FALSTAFF:
My king! my Jove! I speak to thee, my heart!

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Holy Saturday: The Poetry of Doubt

Thumbnail image for Holy Saturday: The Poetry of Doubt April 3, 2010

A voice that cries, “The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.”
—Wallace Stevens, ‘Sunday Morning’

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Fanny Howe, Bowery Poetry Club, 4pm

April 2, 2010

[Poetry Reading: 4/3/2010]

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The Problem of Style

Thumbnail image for The Problem of Style March 27, 2010

Do you remember that Eliot was billed as giving a talk on ‘Scylla and Charybdis’ and he’d realized that they’d simply misunderstood. That is, when he was asked what he was going to talk about, he’d said that these things were always a matter of Scylla and Charybdis and so forth, and this became the title of the talk so that we got a talk on this subject because they’d slightly misunderstood what he was saying. But it’s true to him.

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Paparazzi

Thumbnail image for Paparazzi March 20, 2010

“When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not emerge, do not leave: they are anesthetized and fastened down, like butterflies.”

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Seventeen Years Ago Last March: Elizabeth Bishop’s Grand Finale

Thumbnail image for Seventeen Years Ago Last March: Elizabeth Bishop’s Grand Finale March 6, 2010

‘Crusoe in England’ was first published in The New Yorker in 1971, then later collected in ‘Geography III,’ perhaps Bishop’s finest single volume of poems. (Only recently I discovered the title of which was suggested to her by John Ashbery. He had found a little geography textbook of the eponymous name, and sent it to her, thinking she’d rather enjoy it. Turns out, she did.)

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::MOVING BODIES::SLAVA MOGUTIN::

Thumbnail image for ::MOVING BODIES::SLAVA MOGUTIN:: February 27, 2010

Slava Mogutin is an artist whose work has emerged from a confluence of cultures and histories. He works across different media—including photography, video, poetry, and performance—conjuring volatile erotic phenomena from these diverse orders of representation. By age twenty, Mogutin had achieved notoriety in post-Soviet Russia, breaching its criminal code on several counts in the course of his radical investment in writing and publishing queer literature. This early literary ingenuity established his reputation as a sexual dissident, culminating in his well-publicized exile and the subsequent granting of political asylum in the United States in 1995.

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