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Zachary Pace

8PM TONIGHT! Timothy Donnelly, Matthea Harvey, Natalie Eilbert & Jimin Seo

Thumbnail image for 8PM TONIGHT! Timothy Donnelly, Matthea Harvey, Natalie Eilbert & Jimin Seo May 13, 2010

361 Manhattan Ave, Brooklyn / L train to Graham Ave http://cprnyc.org/publicevents/projection8.html

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it is easier to think what Poetry should be than to write it

Thumbnail image for it is easier to think what Poetry should be than to write it April 23, 2010

From the letters of John Keats:

“I am certain of nothing but of the holiness of the Heart’s affections and the truth of Imagination—What the imagination seizes as Beauty must be truth—whether it existed before or not—for I have the same Idea of all our Passions as of Love they are all in their sublime, creative of essential Beauty.”

“I scarcely remember counting upon any Happiness—I look not for it if it be not in the present hour—nothing startles me beyond the Moment.”

“The faint conceptions I have of Poems to come brings the blood frequently into my forehead.”

“Man should not dispute or assert but whisper results to his neighbor, and thus by every germ of Spirit sucking the Sap from mould ethereal every human might become great. and Humanity instead of being a wide heath of Fuse and Briars with here and there a remote Oak or Pine, would become a grand democracy of Forest Trees.”

“… what quality went to form a Man of Achievement especially in Literature and which Shakespeare possessed so enormously—I mean Negative Capability, that is when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact and reason—”

“I have an idea that a Man might pass a very pleasant life in this manner—let him on any certain day read a certain Page of full Poesy or distilled Prose and let him wander with it, and must upon it, and dream upon it—until it becomes stale—but when will it do so? Never—”

“I think Poetry should surprise by a fine excess and not by Singularity—it should strike the reader as a working of his own highest thoughts . . . but it is easier to think what Poetry should be than to write it—”

“Ethereal things may at least be thus real, divided under three heads—Things real—things semireal—and no things—Things real—such as existences of Sun Moon and Stars and passages of Shakespeare—Things semireal such as Love, the Clouds &c which require a greeting of the Spirit to make them wholly exist—and Nothings which are made Great and dignified by an ardent pursuit.”

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It’s [nearly] a summer day

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So we are taking off our masks, are we, and keeping
our mouths shut? as if we’d been pierced by a glance!

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Could Eros be kept

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nay, thank him and the bright goddess
that he left us

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Happy Poetry Month!

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To honor the first day of National Poetry Month, I want to share this poem by Bill Wadsworth — the progenitor of NPM, launched in 1996. Bill is an extraordinary writer, advocate and teacher of poetry — I’m profoundly grateful for the work he’s done and continues to do. (See full post for poem)

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tonight, tonight

Thumbnail image for tonight, tonight March 25, 2010

Apologies for the pseudo self-promotion — if you’re free this evening, 8pm, come to CPR – Center for Performance Research, 361 Manhattan Ave (Brooklyn) for Projection: featuring Star Black, Stephen Motika, Brenda Shaughnessy and Danniel Schoonebeek http://www.cprnyc.org/publicevents/projection6.html

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pom

Thumbnail image for pom March 19, 2010

First he gave me
his heart. It was
red fruit containing
many seeds, the skin
leathery, unlikely.
I preferred
to starve, bearing
out my training.

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better late

Thumbnail image for better late March 12, 2010

Congrats to Rae Armatrout, whose book VERSED won the 2010 NBCC Award. Here’s her poem “Guess”: 1 The jacaranda, for instance, is beautiful but not serious. That much I can guess. And that the view is softened by curtains. That the present moment is an exception, is the queen bee a hive serves, or else [...]

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very belatedly

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THE WAY THINGS WORK

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by heart

February 25, 2010
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When I’m blocked, blank, speechless, I fill the silence by internalizing a poem. I pick one that I know has something to teach me—some diction or rhythm that, once ingrained, might knock me free. I don’t think “memorization” is an accurate term for this practice. I prefer to call it learning by heart.

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