Arts & Society

Fostering the Perhaps

by Joe Weil Arts & Society
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Error is the only reality we know, and the one thing we are least likely to forgive or admit.

Ponts vs. Points: A model for reading

by Joe Weil Arts & Society
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I was sitting on the throne a few minutes ago, reading Hannah Arendt.

Teacher as Midwife

by Joe Weil Society
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You want to have an open sesame for every soul you encounter. You want something to open in them and for them, and when you are at your best, you don’t care if they ever say thank you.

Writing as Habit

by Carmiel Banasky Arts & Society
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I’d like you, for a moment, to think of writing not as a calling or gift or pipe dream, not even a profession or hobby. Instead, I’d like you to think of writing as a habit.

The Ecstatic Tragedy of Reality TV: Interview with Kate Durbin on E!

by Lisa A. Flowers Reviews & Interviews
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The echoes of her pain are still reverberating, like a mechanical baby doll, crying forever: a baby, our baby, who can never be soothed.

A Brief and Personal History of Jazz

by Joe Weil Arts & Society
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No truly musical ear is ever pure. It steals freely and often, and this is where blues, jazz, and, later, rap comes into conflict with middle class ideas of property values.

#thethepoetics: Small Press Edition

by Micah Towery Society
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A few weeks ago, the miraculous Metta Sama(~), master of @thethepoetry, hosted a discussion under the Twitter hashtag #thethepoetics with editors from @aquariuspress, @dzancbooks, @notell, @yesyesbooks, and @WordWorksEditor, as well as a host of other poets.

At National Tool

by Joe Weil Society
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Ideas are never as important as appearances and narratives. The groove of the story can outlast any series of good ideas, and no idea stands a chance unless it can find a groove.

Chapbooks: A Short History of the Short Book

by Sam Riedel Arts & Society
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Scholars of Anglo-Saxon history and language contend that the prefix “chap-” is derived from the ancient word “ceap,” while others maintain it is merely a corruption of “cheap;” however, most attribute the word’s popularity to the chapman—European peddler, reporter, and rogue-of-all-trades from the 16th to at least the 18th century.

Possibility and Grace

by Joe Weil Society
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This is a strange story. It is liable to get me laughed at.

Sweet Sue Terry and “Hurt Hawks”

by Joe Weil Arts & Society
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At one point, I made a very precarious living playing piano in a couple bars, one of which was run by a coke fiend who had a driver pick me up for the gig three times a week.

Reflections on “The &NOW Festival of New Writing” in San Diego, 2011

by Gene Tanta Society
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Poetry and poetics matter because words create the contours of what we can do.

Abigail Stone: Wrapped in Newspaper

by Bianca Stone Arts & Society
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Mother was never prepared for Christmas. We would drive around in the old car on Christmas eve looking for a tree.

Disabilty as talent: The perfection of the broken

by Joe Weil Society
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I have an older brain damaged brother, Peter. In 1953, a small pox vaccination failed to localize and shot up to his brain.

Why I can never hate the Susquehanna

by Joe Weil Arts & Society
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I can never hate the Susquehanna, not if it took my last dollar, not if it made me look like a grade z version of some extra who got lost on his lunch break from a remake of “The Grapes of Wrath” and ended up standing poised against the wrong unforgiving sky.

New Jersey Transit Today

by Adam Fitzgerald Society
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It’s all a spectacle — something not able to be understood (a young woman takes her life by walking into an oncoming speeding Amtrak train at 4:45 PM on a beautiful day).

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