Everything

“Because I am Looking to Complicate My Biography I Go Out to Buy a Tree” by Heather Christle

by THEthe Poetry Blog Editors Poems of the Week

[Poem of the Week: 3/5/2010]

very belatedly

by Zachary Pace Art
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THE WAY THINGS WORK

Big Sur, Elephant Seals, Hector Viel Temperley

by Stuart Krimko Art
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When you drive south through Big Sur, you must stop and see the elephant seals at Piedras Blancas. There were huge males on the beach on Tuesday, maybe 15 feet long, with doe-like black eyes and crumpled snouts that look like a baby bird has perched on their faces.

Some Works by Henry Darger

by Simone Kearney Art
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The Ex-Pens of Spirit

by Sarah V. Schweig Poetry and Poetics
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(Disclaimer: Ok, yes. This is a post about pens. But bear with me—I actually do have an idea here.)

“Flesh Becomes Word” poetry podcast by Scott Cairns

by THEthe Poetry Blog Editors Poems of the Week

[Link: Poetry Podcast]

Blogging through Grossman, Part 3: Poetic Promiscuity.

by Micah Towery Art
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We recent poets have two great tools at our disposal: freedom of poetic license, and freedom of publishing. Generally, we can say whatever we want, and get a significant number of people to hear what we have to say. The question is whether this freedom has led to better poetry or degeneration. Perhaps that’s not the best way to put it. The question should be, even if somebody is doing something amazing and new in poetry, would we even see it? Will we travel all this way to find that we really did need the gatekeepers of poetry??

He clasped the branches as if they were parts of human arms

by Ben Pease Art
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Golden Splinter

by Evan Hansen Art
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Above is painter Sean McElroy’s “So Just Be It.” I have known Sean a long time, and I admire both his art and intellect. I was reminded of his work yesterday as I settled down with Ben Lerner’s new book of poems, Mean Free Path (Copper Canyon Press, 2010)—a book I’ve been excited to read since, well, Lerner’s last book of poems.

::MOVING BODIES::SLAVA MOGUTIN::

by Adam Fitzgerald Art
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Slava Mogutin is an artist whose work has emerged from a confluence of cultures and histories. He works across different media—including photography, video, poetry, and performance—conjuring volatile erotic phenomena from these diverse orders of representation. By age twenty, Mogutin had achieved notoriety in post-Soviet Russia, breaching its criminal code on several counts in the course of his radical investment in writing and publishing queer literature. This early literary ingenuity established his reputation as a sexual dissident, culminating in his well-publicized exile and the subsequent granting of political asylum in the United States in 1995.

WHAT’S YOUR IDEA OF A GOOD TIME?

by Allison Power Poetry and Poetics
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In 1977, Bill Berkson and Bernadette Mayer began a kind of interview correspondence where with they exchanged questions and answers on a variety of topics.

“Prepare for Peoplery” by Christie Ann Reynolds

by Adam Fitzgerald Poems of the Week
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[Poem of the Week: 2/26/10]

Nothing to say

by Stuart Krimko Art
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I have nothing to say today, or nothing specific, only miscellany, no fashion thing has occurred to me. Here you have an image of Ferula scorodosma, the plant whose dried sap is used to make asafoetida, a rather pungent spice.

Joe Weil on Hecht’s “A Hill”

by THEthe Poetry Blog Editors Poetry and Poetics

[Interview: 2/25/2010]

Tiepolo’s Punchinello!—If you don’t know him, you should

by Simone Kearney Art
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The Lyric Workshop, Session 1: Theme From Shaft

by Sarah V. Schweig Academia
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PROFESSOR: Mary Ann, would you mind reading your poem aloud so that we can hear it in your own voice?

MARY ANN: Absolutely. Ahem.

Who’s the black private dick
That’s a sex machine to all the chicks?
SHAFT!
Ya damn right!

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