Everything

Dorothea Lasky’s POETRY IS NOT A PROJECT or Cutting More Lines in the Cosmic Divide

by Ben Fama Art
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Dorothea Lasky’s POETRY IS NOT A PROJECT made huge waves when debuted at this years AWP.

Poems & Pollen

by Samantha Zighelboim Poetry and Poetics
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When they say, “Spring is in the air,” they aren’t kidding.  New York City is fully abloom–and it is most certainly in the air. Yes, the tulips and daffodils are afoot in the city! Perfectly coiffed Park Avenue flower arrangements trumpet out enormous lilies at pedestrians. Petunias and pansies galore! Primped poodles in their fluffed […]

100 Chimes at Midnight

by Adam Fitzgerald Aesthetics
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FALSTAFF:
My king! my Jove! I speak to thee, my heart!

“Slipping the Moorings” by Chris Garrecht-Williams

by THEthe Poetry Blog Editors Poems of the Week

[Poem of the Week: 4/9/2010]

Closing a Poem (Blogging through Grossman, Part 6)

by Micah Towery Art
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How do you know when you’re “done” a poem? I’m not speaking about revision, but rather, the act of writing, particularly lyrical free verse. Donna Masini once described it to me (or a class I was in—can’t remember which), as a settling in the body: a literal sense in the poet’s body that there is […]

Ben Lerner’s “Mean Free Path”

by Evan Hansen Reviews & Interviews
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What if I made you hear this as music
But not how you mean that. The slow beam
Opened me up. Walls walked through me
Like resonant waves. I thought that maybe
If you aren’t too busy, we could spend our lives
Parting in stations, promising to write
War and Peace, this time with feeling
As bullets leave their luminous traces across
Wait, I wasn’t finished, I was going to say
Breakwaters echo long lines of cloud

This Keats

by Alina Gregorian Poetry and Poetics
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Silent, upon a peak in Darien.

Some David Schubert Poems You May Not Know

by Allison Power Poetry and Poetics
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I reached a point where there was no
Use going on: my companion said, “Do not waken
The watchman, do not shout, he will die
Of shock if you make the slightest
Sound.” I stood in the utter darkness,
Cold. Without evidence of myself.

Book Review: Map of the Folded World (John Gallaher)

by THEthe Poetry Blog Editors Poetry and Poetics
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Gallaher has managed to create a language all his own using English words. Reading his poems, I felt like I’d arrived on some other world where the linguistic building blocks were familiar, but the physics of assembling them was completely different, surprising, otherworldly.

“Via” by Amy Lawless

by THEthe Poetry Blog Editors Poems of the Week

[Poem of the Week: 4/2/2010]

Happy Poetry Month!

by Zachary Pace Poetry and Poetics
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To honor the first day of National Poetry Month, I want to share this poem by Bill Wadsworth — the progenitor of NPM, launched in 1996. Bill is an extraordinary writer, advocate and teacher of poetry — I’m profoundly grateful for the work he’s done and continues to do. (See full post for poem)

TheThe

by Sarah V. Schweig TheThe Poetry Blog
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The time has come to reveal (I think) the source (for those who don’t already know) of The The Poetry’s name, namely, “The Man on the Dump” by Wallace Stevens.

Looking at Ballad Form, and the Nature of Voice

by Joe Weil Art
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We are in traditional ballad country the second Auden writes “As I Walked Out One Evening” (see “The Streets of Laredo”). He is not mocking the structure or form of the ballad (except perhaps the way a lover would tease his beloved); he is reveling in the cliche. He trusts his own ability to have fun with cliché (something Ashbery also trusts).

Reciting your own poems from memory is for supernerds, or the worst project of my life

by Ben Fama Aesthetics
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Concerning all the recent discussions about memory, recitation, etc, I thought I would try it in my own way. I should disclose that I never recite my own poems from memory at readings. I think it is corny, weird, it makes me uncomfortable, and frankly, to spend that much time memorizing your own work is kind of sick.

Ain’t No Sunshine in My Shell

by Samantha Zighelboim Academia

I’m currently in a class concerning Animal Studies in the Comparative Literature Department in which the word “anthropomorphism” is a swear word. The argument is that anthropomorphism is anthropocentric, and thereby undermines the possibilities of the animal’s consciousness by placing the human in a superior (and dominating) role. It should be noted that while I think this all well-argued and slightly interesting, when it comes to poetry—it’s a large load of nonsense. We’d have to knock out some pretty significant poems in our extended canon were we to castigate anthropomorphism the way they are proposing. At least for me, and for a long trailing history of ancestor poets behind me, anthropomorphism is the stuff I (we) live for. And if it’s a profane thing, then @#*& you, Comp Lit people. (It should also be noted I am the only poet in that class, and I am looked at at least twice during every session as if I were a really cool but leggy and crawly beetle that you’re grossed out by but can’t look away from.)

The Problem of Style

by Adam Fitzgerald Aesthetics
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Do you remember that Eliot was billed as giving a talk on ‘Scylla and Charybdis’ and he’d realized that they’d simply misunderstood. That is, when he was asked what he was going to talk about, he’d said that these things were always a matter of Scylla and Charybdis and so forth, and this became the title of the talk so that we got a talk on this subject because they’d slightly misunderstood what he was saying. But it’s true to him.

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