Poetry and Poetics

Georg Trakl in Plato’s Republic

by Joe Weil Poetry and Poetics
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Poetry, like music, like dance, might be defined as the precision of ecstasy, and the ecstasy of precision, an ecstatic precision, and measured ecstasy.

Lists and Parataxis: A primer for those who want it

by Joe Weil Poetry and Poetics
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Whitman has more listings than an anal retentive suburbanite.

Why Weirdness Can Be a Good Thing: the Aesthetic Satisfactions of a Compelling Strangeness

by Andrew Field Poetry and Poetics
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What is the difference between a poem we call mawkish, or overly sentimental, and a poem that carries the right amount of sentimentality and wit?

The Ironic and the Un-Ironic: the Role of the Hero in Ashbery and Creeley

by Andrew Field Poetry and Poetics
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If Ashbery’s poems are premised, if distantly, on a hope for the future, a hope for new imaginary communities, a hope for a new way of speaking, Creeley’s poem are cynical about the future, isolated from community, and unable to even speak.

“Contemplations” on a Massachusetts Poet: American Muse

by Micah Towery Poetry and Poetics
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The story of Cain is built into the founding mythos of America, whose people were cast out of Europe to violently master “uncivilized” land.

“Contemplations” on a Massachusetts Poet: A Neo-Platonic Quest

by Micah Towery Poetry and Poetics
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The ecstasies of the “secular” are sacred.

“Contemplations” on a Massachusetts Poet: Introduction and Form

by Micah Towery Poetry and Poetics
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Bradstreet is an outlier of most received literary groupings.

What Is This Thing Called Free Verse? (A primer for those who want it)

by Joe Weil Poetry and Poetics
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Poets want to get away with murder.

Hysterical Catalog: Gregory Corso’s Alchemical-Surrealism

by Brooks Lampe Poetry and Poetics
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The poet as alchemist, transmuting the socio-political reality using the mundane elements found in the (social) environment with the transformative energies of consciousness.

Notes and jottings for a work on the evolution of intuition and sensation in modernist / post-modernist poetry

by Joe Weil Poetry and Poetics
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No motion has she now, no force / she neither hears nor sees

13 Ways of Looking at the Pragmatist Ashbery, OR Getting Down to the Nitty-Gritty: Ashbery and the Central Doctrine of American Pragmatism

by Andrew Field Poetry and Poetics
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So what are some other major facets of Ashbery’s relationship to American pragmatism?

“This Was the First Day / Of the New Experience”: Notes Towards a Pragmatist Reading of Ashbery’s Poetry and Poetics, Part I

by Andrew Field Poetry and Poetics
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I want to start with a problem: an overwhelming, close to paralyzing sense that an essay about John Ashbery’s poetry is like a representational critique of a cubist painting.

Phronesis and Redux

by Joe Weil Poetry and Poetics
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Whim as a form of virtue, constancy as grace.

Learning from Arbitrary Grids

by Joe Weil Poetry and Poetics
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We can enter a poem in an almost limitless number of ways–through its imagery, its social underpinnings, its meaning, its rhythms, its sentence structure, its line breaks.

Poetry Editing: A Rubric

by Joe Weil Poetry and Poetics
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After writing a poem (never during or before the poem), ask yourself these questions.

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