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	<title>the the poetry blog&#187; Aesthetics</title>
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	<link>https://thethepoetry.com</link>
	<description>Where was it one first heard of the truth?</description>
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		<title>Why I Hate &#8220;The Arts&#8221;</title>
		<link>https://thethepoetry.com/2011/08/why-i-hate-the-arts/</link>
		<comments>https://thethepoetry.com/2011/08/why-i-hate-the-arts/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 13:32:42 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[Adam Fitzgerald]]></category>
		<category><![CDATA[Ben Pease]]></category>
		<category><![CDATA[Mark Strand]]></category>
		<category><![CDATA[Monk Books]]></category>
		<category><![CDATA[Paterson Poetry Marathon]]></category>
		<category><![CDATA[Phillip Levine]]></category>
		<category><![CDATA[the arts]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4646</guid>
		<description><![CDATA[Perhaps it is the ends of art I hate--the way it is "valued" rather than integrated into the dynamic of being alive.


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<li><a href='/2011/01/meditation-on-apollinaire/' rel='bookmark' title='Meditation on Apollinaire'>Meditation on Apollinaire</a></li>
</ol>

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		<title>Didactic Sonnet</title>
		<link>https://thethepoetry.com/2011/08/didactic-sonnet/</link>
		<comments>https://thethepoetry.com/2011/08/didactic-sonnet/#comments</comments>
		<pubDate>Tue, 02 Aug 2011 08:20:51 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Academia]]></category>
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		<category><![CDATA[craft]]></category>
		<category><![CDATA[daimon]]></category>
		<category><![CDATA[didactic sonnet]]></category>
		<category><![CDATA[ground set apart]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[inspired]]></category>
		<category><![CDATA[Levertov]]></category>
		<category><![CDATA[lizard brain]]></category>
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		<category><![CDATA[Plato]]></category>
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		<category><![CDATA[poetic amusement]]></category>
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		<category><![CDATA[Robert Bly]]></category>
		<category><![CDATA[stupere]]></category>
		<category><![CDATA[stupidity]]></category>
		<category><![CDATA[templum]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4596</guid>
		<description><![CDATA[If Plato came back today and saw the workshop, craft obsessed nature of poetics, he'd give his approval, but not for reasons poets might like: Plato would approve because the stupidity of inspiration has been removed from the writing of poems.


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		<item>
		<title>The Four Functions and The Love Song of J. Alfred Prufrock</title>
		<link>https://thethepoetry.com/2011/04/the-four-functions-and-the-love-song-of-j-alfred-prufrock/</link>
		<comments>https://thethepoetry.com/2011/04/the-four-functions-and-the-love-song-of-j-alfred-prufrock/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 14:40:58 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[agnostic]]></category>
		<category><![CDATA[alienation]]></category>
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		<category><![CDATA[Anthony Hecht]]></category>
		<category><![CDATA[arbitrary power]]></category>
		<category><![CDATA[Baudelaire]]></category>
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		<category><![CDATA[Carl Jung]]></category>
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		<category><![CDATA[Rimbaud]]></category>
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		<category><![CDATA[symbolist]]></category>
		<category><![CDATA[Symbolists]]></category>
		<category><![CDATA[T.S. Eliot]]></category>
		<category><![CDATA[The Carpenter]]></category>
		<category><![CDATA[The Love Song of J Alfred Prufrock]]></category>
		<category><![CDATA[The Walrus]]></category>
		<category><![CDATA[To A Coy Mistress]]></category>
		<category><![CDATA[unconscious]]></category>
		<category><![CDATA[Vachel Lindsey]]></category>
		<category><![CDATA[Wallace Stevens]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4287</guid>
		<description><![CDATA[As Kafka said: "The crows maintain that a single crow could destroy the heavens; doubtless this is so, but it proves nothing against the heavens, for the heavens signify simply: the impossibility of crows."


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		</item>
		<item>
		<title>Sentimentality vs. Feeling</title>
		<link>https://thethepoetry.com/2011/03/sentimentality-vs-feeling/</link>
		<comments>https://thethepoetry.com/2011/03/sentimentality-vs-feeling/#comments</comments>
		<pubDate>Tue, 29 Mar 2011 14:53:53 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Chekov]]></category>
		<category><![CDATA[feeling]]></category>
		<category><![CDATA[Lipa]]></category>
		<category><![CDATA[Madame Bovary]]></category>
		<category><![CDATA[Nabokov]]></category>
		<category><![CDATA[Russian Literature]]></category>
		<category><![CDATA[sentimentality]]></category>
		<category><![CDATA[The Gully]]></category>
		<category><![CDATA[The Ravine]]></category>
		<category><![CDATA[The Sound of Music]]></category>
		<category><![CDATA[Tolstoy]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4191</guid>
		<description><![CDATA[True feeling has the force of grace; sentimentality has the stench of morals. The word "should" and "must" cling to its fat cherubic legs. Half comprised of self regard, and the other half a mixture of cliche, the sentimental is close to the feigned regard of the funeral director: appropriate, and grave, but with one eye on the itemized bill. 


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		<item>
		<title>Poem of the Week: Wallace Stevens</title>
		<link>https://thethepoetry.com/2011/03/poem-of-the-week-wallace-stevens/</link>
		<comments>https://thethepoetry.com/2011/03/poem-of-the-week-wallace-stevens/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 14:35:51 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Poems of the Week]]></category>
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		<category><![CDATA[Joe Weil]]></category>
		<category><![CDATA[Large Red Man Reading]]></category>
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		<category><![CDATA[Poeisis]]></category>
		<category><![CDATA[Rilke]]></category>
		<category><![CDATA[Thorton Wilder]]></category>
		<category><![CDATA[Wallace Stevens]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4170</guid>
		<description><![CDATA[[Large Red Man Reading]


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		<item>
		<title>How Tu Fu Works</title>
		<link>https://thethepoetry.com/2011/03/how-tu-fu-works/</link>
		<comments>https://thethepoetry.com/2011/03/how-tu-fu-works/#comments</comments>
		<pubDate>Fri, 11 Mar 2011 14:39:20 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
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		<category><![CDATA[100 Chinese Poems]]></category>
		<category><![CDATA[Classics revisited]]></category>
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		<category><![CDATA[hermeneutic circle]]></category>
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		<category><![CDATA[interpretation]]></category>
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		<category><![CDATA[Sunset]]></category>
		<category><![CDATA[Tu Fu]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=4079</guid>
		<description><![CDATA[We perceive a break between images and feeling. But perhaps this break is artificial. We acknowledge that images can evoke feelings, perhaps that there is an “objective correlative” that can reliably evoke feelings. But perhaps what is being suggested here is that the category break is weaker than we think. The image (object) is already interpreted: “values are the way we see things.”


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		<title>Bob Kaufman’s Solitudes Crowded With Loneliness</title>
		<link>https://thethepoetry.com/2011/02/bob-kaufman%e2%80%99s-solitudes-crowded-with-loneliness/</link>
		<comments>https://thethepoetry.com/2011/02/bob-kaufman%e2%80%99s-solitudes-crowded-with-loneliness/#comments</comments>
		<pubDate>Mon, 21 Feb 2011 13:00:58 +0000</pubDate>
		<dc:creator>Brooks Lampe</dc:creator>
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		<category><![CDATA[Allen Ginsberg]]></category>
		<category><![CDATA[Beat]]></category>
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		<category><![CDATA[Walt Whitman]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=3953</guid>
		<description><![CDATA[Paradoxically, the Beats depicted themselves and the society they were rejecting in surreal imagery. America, in their estimation is a surrealist circus, full of absurdities.


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		<item>
		<title>Gatekeepers of Literary Greatness: On Piety</title>
		<link>https://thethepoetry.com/2010/12/gatekeepers-of-literary-greatness-on-piety/</link>
		<comments>https://thethepoetry.com/2010/12/gatekeepers-of-literary-greatness-on-piety/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 13:00:41 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
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		<category><![CDATA[William Carlos Williams]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=3460</guid>
		<description><![CDATA[In the full complexity of human constructs piety is the rhetoric of conflicting and supposedly coherent values.


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		<title>Gatekeepers of Literary Greatness: Some Definitions and a Parable about Chickens</title>
		<link>https://thethepoetry.com/2010/12/gatekeepers-of-literary-greatness-definitions-and-a-parable-about-chickens/</link>
		<comments>https://thethepoetry.com/2010/12/gatekeepers-of-literary-greatness-definitions-and-a-parable-about-chickens/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 13:00:20 +0000</pubDate>
		<dc:creator>Joe Weil</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Burke]]></category>
		<category><![CDATA[chickens]]></category>
		<category><![CDATA[gatekeepers]]></category>
		<category><![CDATA[Joe Weil]]></category>
		<category><![CDATA[Literary Greatness]]></category>
		<category><![CDATA[Renegades]]></category>
		<category><![CDATA[value]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=3396</guid>
		<description><![CDATA[The chickens are purifying their system, purging it of corruption. Meanwhile, the chickens who willfully refuse to answer the bell are seen as impious, as negative, as renegades.


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</ol>

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		<title>Aesthete and Propagandist: An Interview with Gene Tanta</title>
		<link>https://thethepoetry.com/2010/12/aesthete-and-propagandist-an-interview-with-gene-tanta/</link>
		<comments>https://thethepoetry.com/2010/12/aesthete-and-propagandist-an-interview-with-gene-tanta/#comments</comments>
		<pubDate>Fri, 10 Dec 2010 13:00:28 +0000</pubDate>
		<dc:creator>Brooks Lampe</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[authority]]></category>
		<category><![CDATA[charles simic]]></category>
		<category><![CDATA[Gene Tanta]]></category>
		<category><![CDATA[grand narratives]]></category>
		<category><![CDATA[leonard cohen]]></category>
		<category><![CDATA[modernism]]></category>
		<category><![CDATA[propaganda]]></category>
		<category><![CDATA[Romania]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[Unusual Woods]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=3361</guid>
		<description><![CDATA[It’s getting later than it’s ever been and the sonnet is nearly over: do you know where your closure is?


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<li><a href='/2010/11/a-ghost-sonnet-in-gene-tantas-unusual-woods/' rel='bookmark' title='A Ghost (Sonnet) in Gene Tanta&#8217;s &#8220;Unusual Woods&#8221;'>A Ghost (Sonnet) in Gene Tanta&#8217;s &#8220;Unusual Woods&#8221;</a></li>
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</ol>

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		<item>
		<title>On Gene Tanta’s “Critical Introduction to Unusual Woods.”</title>
		<link>https://thethepoetry.com/2010/10/gene-tanta-aesthete-and-propagandist/</link>
		<comments>https://thethepoetry.com/2010/10/gene-tanta-aesthete-and-propagandist/#comments</comments>
		<pubDate>Sat, 30 Oct 2010 18:17:19 +0000</pubDate>
		<dc:creator>Brooks Lampe</dc:creator>
				<category><![CDATA[Academia]]></category>
		<category><![CDATA[Aesthetics]]></category>
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		<category><![CDATA[Reviews]]></category>
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		<category><![CDATA[Writing]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[american immigrant experience]]></category>
		<category><![CDATA[Bloom]]></category>
		<category><![CDATA[book of poems]]></category>
		<category><![CDATA[collective memories]]></category>
		<category><![CDATA[collective unconscious]]></category>
		<category><![CDATA[contemporary poetry]]></category>
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		<category><![CDATA[Eliot]]></category>
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		<category><![CDATA[ESL poetry]]></category>
		<category><![CDATA[Harold Bloom]]></category>
		<category><![CDATA[image poetry]]></category>
		<category><![CDATA[Imagism]]></category>
		<category><![CDATA[immigrant]]></category>
		<category><![CDATA[jungian]]></category>
		<category><![CDATA[Marxism]]></category>
		<category><![CDATA[modern poetry]]></category>
		<category><![CDATA[reader-response]]></category>
		<category><![CDATA[Romania]]></category>
		<category><![CDATA[romanians]]></category>
		<category><![CDATA[second language poetry]]></category>
		<category><![CDATA[Simic]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[Tanta]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=2824</guid>
		<description><![CDATA[<p><img width="350" height="440" src="/wp-content/uploads/2010/10/Gene-cov-lg.jpg" class="attachment-post-thumbnail wp-post-image" alt="Gene-cov-lg" title="Gene-cov-lg" /></p>Even though both the form and content of Gene Tanta’s work are particular to his Romanian-immigrant experience, he insists that his poetry is accessible to everyone. His poetry, he says, exists both as aesthetic objects and political propaganda. This is absolutely true about all poetry, not just his own. Inevitably, literary criticism will come to see that literature is always both. <p><a href="/2010/10/gene-tanta-aesthete-and-propagandist/">Read Full Article...</a></p>


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		<title>Trying to do something important: a couple of thoughts on ambition in a work of art</title>
		<link>https://thethepoetry.com/2010/10/something-important-a-couple-of-thoughts-on-ambition-in-a-work-of-art/</link>
		<comments>https://thethepoetry.com/2010/10/something-important-a-couple-of-thoughts-on-ambition-in-a-work-of-art/#comments</comments>
		<pubDate>Wed, 27 Oct 2010 16:57:59 +0000</pubDate>
		<dc:creator>Daniel Silliman</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA["A"]]></category>
		<category><![CDATA[ambition]]></category>
		<category><![CDATA[important works]]></category>
		<category><![CDATA[Louis Zukofsy]]></category>
		<category><![CDATA[Melville]]></category>
		<category><![CDATA[Moby-Dick]]></category>
		<category><![CDATA[Sufjan Stevens]]></category>
		<category><![CDATA[Whitman]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=2759</guid>
		<description><![CDATA[Melville worries that his ambition will fail, that his picture of the whale will "remain unpainted at the last." He is always aware he's always on the verge of the whole thing breaking down, but the ambition is there. Beating underneath. It acts as the will to will it onward, the drive to make it work, a promise to try to do something great, the stakes that are high enough to make it worth while even if the whole thing fails.

Ambition, all by itself, makes the work a thing of value.


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