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Waverly Gate

by Sarah V. Schweig Academia
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A certain esteemed professor requires that those enrolled in his poetry workshop meet with him in his downtown studio apartment, right off Washington Square.

that gum you like is going to come back in style

by Ben Fama Film and TV

With the creation of one of the high achievements of mankind, Twin Peaks, David Lynch made a world so ecstatic it demanded its own reality. I’ve been really thinking about Julee Cruise and Twin Peaks SO MUCH lately. What makes it so good? Where did this music come from? Who is Julee Cruise *really*!?

Roger Scruton on Beauty

by Micah Towery Aesthetics
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I’m planning on doing another entry today about Grossman, but I’m at work and I forgot my copy of Singer. In the meantime, I wanted to share a BBC series that is available on YouTube. A professor I know shared this with me, after I shared a link to Simon Schama’s Power of Art episode […]

A Poetry Comic

by Bianca Stone Art
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Bianca Stone’s Poetry Comic

Seventeen Years Ago Last March: Elizabeth Bishop’s Grand Finale

by Adam Fitzgerald Art
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‘Crusoe in England’ was first published in The New Yorker in 1971, then later collected in ‘Geography III,’ perhaps Bishop’s finest single volume of poems. (Only recently I discovered the title of which was suggested to her by John Ashbery. He had found a little geography textbook of the eponymous name, and sent it to her, thinking she’d rather enjoy it. Turns out, she did.)

The Lost Painting

by Allison Power Art
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In honor of the 400th anniversary of Caravaggio’s death, the Scuderie del Quirinale in Rome is hosting the most major exhibition of his work in, well,—ever.

Insomnia

by Alina Gregorian Art
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where the heavens are shallow as the sea

“Because I am Looking to Complicate My Biography I Go Out to Buy a Tree” by Heather Christle

by THEthe Poetry Blog Editors Poems of the Week

[Poem of the Week: 3/5/2010]

very belatedly

by Zachary Pace Art
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THE WAY THINGS WORK

Big Sur, Elephant Seals, Hector Viel Temperley

by Stuart Krimko Art
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When you drive south through Big Sur, you must stop and see the elephant seals at Piedras Blancas. There were huge males on the beach on Tuesday, maybe 15 feet long, with doe-like black eyes and crumpled snouts that look like a baby bird has perched on their faces.

Some Works by Henry Darger

by Simone Kearney Art
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The Ex-Pens of Spirit

by Sarah V. Schweig Poetry and Poetics
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(Disclaimer: Ok, yes. This is a post about pens. But bear with me—I actually do have an idea here.)

“Flesh Becomes Word” poetry podcast by Scott Cairns

by THEthe Poetry Blog Editors Poems of the Week

[Link: Poetry Podcast]

Blogging through Grossman, Part 3: Poetic Promiscuity.

by Micah Towery Art
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We recent poets have two great tools at our disposal: freedom of poetic license, and freedom of publishing. Generally, we can say whatever we want, and get a significant number of people to hear what we have to say. The question is whether this freedom has led to better poetry or degeneration. Perhaps that’s not the best way to put it. The question should be, even if somebody is doing something amazing and new in poetry, would we even see it? Will we travel all this way to find that we really did need the gatekeepers of poetry??

He clasped the branches as if they were parts of human arms

by Ben Pease Art
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Golden Splinter

by Evan Hansen Art
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Above is painter Sean McElroy’s “So Just Be It.” I have known Sean a long time, and I admire both his art and intellect. I was reminded of his work yesterday as I settled down with Ben Lerner’s new book of poems, Mean Free Path (Copper Canyon Press, 2010)—a book I’ve been excited to read since, well, Lerner’s last book of poems.

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