AND THEN WE SAW THE DAUGHTER OF THE MINOTAUR
Poet, comma. It is thus the delay,
which is also a beginning. That we can link eyes
across her time-space continuum is another hyena.
The female elongates, bares fangs, and a trash
compactor recycles. Hyena gives
in the recycling fashion. Phoenix, no more false
flight from holes; now balloons eat at decay.
Hunger denuded us, too. But will you give
up your death for me? With surgery, I outright hollow
the monster to breathe across windows. I don her hollow
whole. She writes back in the pauses of haze.
Her and her tragic magic. We are all cross-dressing
in tiny wings with the machines of bones to go on.
Of her most recent book from Litmus Press, I Want to Make You Safe, John Ashbery described Amy King‘s poems as bringing “abstractions to brilliant, jagged life, emerging into rather than out of the busyness of living.” Safe was one of the Boston Globe’s Best Poetry Books of 2011, and it was reviewed, among others, by the Poetry Foundation and the Colorado Review. King co-edits Esque Magazine and the PEN Poetry Series with Ana Bozicevic, has conducted workshops at such places as the San Francisco State University Poetry Center, Summer Writing Program @ Naropa University, Slippery Rock University and Rhode Island School of Design (RISD), and interviews for VIDA: Woman in Literary Arts. She was also honored by The Feminist Press as one of the recent “40 Under 40: The Future of Feminism” awardees and received the 2012 SUNY Chancellor’s Award for Excellence in Scholarship and Creative Activities.