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Ezra Pound

Towards A Theoria, Praxis, and Poesis of Modernist/Post Modernist Poetry (A Procedural)

Thumbnail image for Towards A Theoria, Praxis, and Poesis of Modernist/Post Modernist Poetry (A Procedural) June 28, 2010

Lyrical poetry can be very dense. It can even be “high gibberish” (a form of ecstatic speech that does not yield readily to a standard meaning, but may create a mood, an orver all emotional or intellectual atmosphere). It does not usually explain. It is not prone to giving information in an overt and easy way. Why does it beat around the bush? Get to it! Say what you mean! Many a person has turned away from lyric poetry because it refuses to do the one thing people seem to insist on: get to the point! This is exactly where modern poetry wanted poesis to go—to the thing, the object, the point.

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Blogging through Grossman, Part 3: Poetic Promiscuity.

Thumbnail image for Blogging through Grossman, Part 3: Poetic Promiscuity. March 2, 2010

We recent poets have two great tools at our disposal: freedom of poetic license, and freedom of publishing. Generally, we can say whatever we want, and get a significant number of people to hear what we have to say. The question is whether this freedom has led to better poetry or degeneration. Perhaps that’s not the best way to put it. The question should be, even if somebody is doing something amazing and new in poetry, would we even see it? Will we travel all this way to find that we really did need the gatekeepers of poetry??

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Some Books on My Mind, or {Potential} Purchases of Imperishables

Thumbnail image for Some Books on My Mind, or {Potential} Purchases of Imperishables February 21, 2010

Hands up, anyone who has read the whole of Herodotus and the whole of Thucydides! And Saint-Simon? And Cardinal de Retz? But even the great nineteenth-century cycles of novels are more often talked about than read.

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