Joe Weil

Interview with Joe Weil [AUDIO]

by Nicholas Wilsey Reviews & Interviews
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The Eggshell Parade brings you an interview with poet Joe Weil.

TRICK VESSELS by Andre Bagoo

by Joe Weil Reviews & Interviews
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The poems of Trick Vessels are not the imposed order and false certainties of neo-conservatism, but an embracing of the power and force of night through the spell casting power of language–the magic that does not destroy uncertainty but which gives it value, and purpose.

The Book of Knowledge

by Joe Weil The Other
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So, thus far, I am both annoyed and delighted all at once, and I have a sneaking suspicion the poet would not mind that I be both annoyed (or irritated/agitated like a clam) and delighted all at once.

A Primer on Writing and Imagery (for those who want it)

by Joe Weil The Other
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You will hear in workshops: “Show, don’t tell,” but that’s a bunch of malarkey. It should be: “Show what tells.”

Poetry Editing: A Rubric

by Joe Weil Poetry and Poetics
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After writing a poem (never during or before the poem), ask yourself these questions.

A Catholic Poet, Part II: Reversal of Values

by Joe Weil Arts & Society
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The world, while God-created (parent), God redeemed (child), and God haunted/inspired (Holy Spirit), is certainly not God oriented: it is motley, hidden away from God behind a thousand conflicting tropes of willfulness and streben.

The Ruined American Male: Robert Creeley

by Joe Weil Poetry and Poetics
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A sort of mystical reticence which, to tin ears, seems non-existent, but is the gobbled and cobbled and ruined talk of the American male.

All Around Meaning

by Joe Weil Poetry and Poetics
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Idiots wait on both sides of the fence.

Reading a Tony Hoagland Poem: Inattention and Power

by Joe Weil Poetry and Poetics
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We could learn much about Hoagland by seeing what he does not include, and what he does not pay attention to.

On the way of Arete and Xenia

by Joe Weil Arts & Society
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Every warrior culture carries Arete and Xenia at its core. To lose contact with either and to seek no balance is the way of self destruction.

Redux: A Manifesto

by Joe Weil Arts & Society
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To be Redux is to believe in the mythos of return within the scope of the materials at hand.

Neighborhood post-industrial as opposed to professional aesthetics

by Joe Weil Arts & Society
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Neighborhood aesthetics, especially in that industrial/post-industrial world, were very different.

What do I mean when I call myself a Catholic poet?

by Joe Weil Poetry and Poetics
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To me the only true failure, and it is an aesthetic failure more than a moral failure, is to be blind to the beauty that lies embedded in the ferocity, and merciless vitality of life itself–the risen Lord in the daily and lowly and broken sprawl of things.

On Rhetorical Devices and Their Use

by Joe Weil Poetry and Poetics
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If you want to escape all rhetoric, you are out of luck.

Teaching Poetry: Obedience vs. Conformity

by Joe Weil Poetry and Poetics
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We must teach our students to reinvent the wheel over and over again, to go back to origins and test them.

Songs That Influenced My Poetry

by Joe Weil Poetry and Poetics
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My first and last love are songs.

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