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The Four Functions and The Love Song of J. Alfred Prufrock

April 20, 2011
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As Kafka said: “The crows maintain that a single crow could destroy the heavens; doubtless this is so, but it proves nothing against the heavens, for the heavens signify simply: the impossibility of crows.”

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Literary Movements: Insider as Outsider and Token Renegade

December 29, 2010
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When gaining a foothold among the establishment, it is important the so called “outsiders” or mavericks have a figure fully anchored within the establishment who can be “acceptable.”

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The Paris Review’s implement fetish

October 18, 2010
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William Styron didn’t write in notebooks. He tried notebooks, but they didn’t work for him. They do work for Paul Auster, though, so he writes in notebooks. He likes the ones with gridded lines, which he calls “quadrille lines — the little squares.” When Auster’s done with the notebooks he types everything up. He has a typewriter he bought in 1974.

What is that supposed to tell us? What does this reveal about Styron? What do we know or understand about Auster that we didn’t before?

Joseph Heller wrote stuff down on 3×5 cards he kept in his wallet, which he called a “billfold” in ’74. Gore Vidal writes fiction on yellow legal pads, but essays and plays on a typewriter. John Updike had a typewriter too and Jack Kerouac had two. Gay Talese wrote outlines in different colors of ink or the shirt boards he got when his clothes come back from the drycleaners.

What if none of this information actually acts to reveal anything?

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