AN AGREEMENT REQUIRES
AN OFFER AND ACCEPTANCE
I came here to get you excited.
We have an accidental stare-down.
No bees, no money. No one says this.
I am so frightening. No one is impressed.
It’s all, a duck’s quack doesn’t echo
and no one knows why. You think
you are whispering when you are not.
We are experts at distributing distorted
information. This is how it might feel,
take hold of something between
your finger and your thumb and twist it
sharply. Make a slight adjustment.
A logical consequence appears
to arrive, a bar, a partition, a stick.
I am hitting rocks with a stick.
What do you believe to be important
points of convergence? Vegetables.
Electricity. The extremely challenging
sky. To show adoration with the eyes.
To say something necessary. I avoid
my eyes. I think I mean it.
Emily Pettit is the author of two chapbooks HOW (Octopus Books) and WHAT HAPPENED TO LIMBO (Pilot Books). She is an editor for notnostrums (notnostrums.com) and Factory Hollow Press, as well as assistant editor at jubilat. Her first full-length book, GOAT IN THE SNOW is forthcoming from Birds LLC.
so i was talking with adam and decided that i would start doing this. sooner or later these will consist of new work published in online journals i like, but i figured right now i would just put the links to a bunch of pieces up and say a few words about them
three by jack christian at notnostrums
i like notnostrums and i like jack christian. what is notnostrums? it has something to do with factory hollow press and dara wier runs that. originally i wanted this up for the first poem, MARIE, and the way that it moves through names in a way that seems sort of appropriate for an online journal. we are not saying that this is a comment on scrolling through facebook in this day and age of the internet, but that there is a quality to the rapid succession of names that seems both contemporary and rooted in something that has always been there and always will. the other are pretty great too.
two by mark leidner at thermos mag
i am a pretty big fan of mark leidner and THE RIVER may be one of my favorite things he’s ever done. i also like longer poems that build on themselves using repetition and variation and slowly begin to add up to something greater than the individual lines by folding backwards and forwards and revealing emotions you maybe thought wouldn’t happen in a poem called ROMANTIC COMEDIES that makes as many jokes as the poem makes and it makes a shit ton of jokes. it does.
one by kathryn regina at pineapple war
i like this poem a lot. so much that i solicited kathryn for my run over at everday genius in december. in addition, this poem is part of her greying ghost chapbook I AM IN THE AIR RIGHT NOW which is a series of linked poems involving a hot air balloon.
one by kristen orser again at pineapple war
this poem was not originally a prose poem. but the editor made it one. i love prose poems and i love this poem and i am glad the editor did that. there is something about the density of it in prose that really excites me.
one by chelsea martin at no posit
i probably should have ended it at the orser, but i like anaphora. a lot. and i eat at mcdonalds. and i am full of worry.
this reminds me a lot of chelsey minis’s A SPEECH ABOUT THE MOON [reproduced here from fence at fence]. tao lin even wrote about both this poem and its relation to the other. he did. you can google that. i have faith in you. i do.
next week we will talk about internet chapbooks and also octopus, which is awesome.