Robert Bly

Georg Trakl in Plato’s Republic

by Joe Weil Poetry and Poetics
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Poetry, like music, like dance, might be defined as the precision of ecstasy, and the ecstasy of precision, an ecstatic precision, and measured ecstasy.

The Ruined American Male: Robert Creeley

by Joe Weil Poetry and Poetics
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A sort of mystical reticence which, to tin ears, seems non-existent, but is the gobbled and cobbled and ruined talk of the American male.

Didactic Sonnet

by Joe Weil Academia
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If Plato came back today and saw the workshop, craft obsessed nature of poetics, he’d give his approval, but not for reasons poets might like: Plato would approve because the stupidity of inspiration has been removed from the writing of poems.

Hindu Surrealism: George Kalamaras

by Brooks Lampe Poetry and Poetics
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The two loves of Kalamaras’s life: Surrealism and Hindu mysticism (with a touch of rhetorical theory!).

Literary Movements: Insider as Outsider and Token Renegade

by Joe Weil Academia
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When gaining a foothold among the establishment, it is important the so called “outsiders” or mavericks have a figure fully anchored within the establishment who can be “acceptable.”

Closing a Poem (Blogging through Grossman, Part 6)

by Micah Towery Art
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How do you know when you’re “done” a poem? I’m not speaking about revision, but rather, the act of writing, particularly lyrical free verse. Donna Masini once described it to me (or a class I was in—can’t remember which), as a settling in the body: a literal sense in the poet’s body that there is […]