We can enter a poem in an almost limitless number of ways–through its imagery, its social underpinnings, its meaning, its rhythms, its sentence structure, its line breaks.
Conscientious Protests
–after Julio Cortazar
E N T I T L E D
LET’S DRINK AND FUCK
Elizabethton, Tennessee, 1929
Desperately Seeking My Name is Not Susan
Farewell Adios to the Americano