≡ Menu

The Hills

The Hills

A wolf whistle sounds. Street level shot of an apartment complex at night, windows lit. “Heidi and Spencer’s Apartment, Hollywood, CA” say white letters at the bottom of the screen. Shot of Heidi’s torso in a room with white walls. She has on a black, low-cut halter dress with russet trim. As she pivots her body, the tip of her bleached hair appears on her tanned shoulders. She lifts one hand to her face. Her face is out of the shot. Spencer appears to be sitting, back to the camera. He is in the left hand corner of the screen. All that can be seen of him is his torso and the back of his curly blonde head. He is wearing a white t-shirt and is out of focus. Heidi is in focus. Heidi walks across the room, back to Spencer. “That looks good,” says Spencer. “Those the shoes?” The camera zooms on Heidi. She half-turns toward the camera and Spencer, tan cleavage and face now viewable. Her face is doubled in the closet mirror. Spencer’s head prevents Heidi’s breasts from doubling. Heidi clutches at the mirror as her body moves up then down then up. “Think so,” she says. Shot of a girl’s tanned feet and ankles. She has French manicured toenails. One foot is in a black open toed peep toe pump, with a loosened ankle strap. The other foot balances on air, as if wearing a shoe. In the right hand corner of the frame, barely viewable, is an open brown leather suitcase. Wide angle shot of the room. Spencer back is still to the camera, mostly, except that a portion of the right side of his face is now viewable. His shirt has black gothic font near the armpit. He sits on a bed covered in unfolded piles of men’s clothes. Across the room, Heidi steps out of the black peep toe pump. A closet across from her is open, clothes spilling from it. One hanger in the closet points straight up. Spencer whistles again, spins two fingers. Heidi turns around without looking. She looks in the mirror. Close up shot of mirror. Heidi’s real head and breasts can be seen, half-blocked by a white wall in the foreground. The closet mirror takes up most of the shot. There is a silver divider down the middle of the mirror, which cuts Heidi’s mirrored body in half. On the wall reflected in the mirror is a light switch; two of the switches are on, one off. Heidi examines her body over her shoulder. Shot of Heidi walking across the room in bare feet, sweeping her blonde hair over her shoulder. Spencer lies on the bed, head on a yellow pillow. He fiddles with the plastic top of an Arrowhead water bottle with both hands. “I’m dying to see if Lauren, Whitney, and Audrina show up to Frankie’s birthday…” he says. Heidi is still walking across the room, not looking at him. Shot Heidi’s head and shoulders up close. She stands in front of a dark, open closet. Air escapes from her mouth. Shot of Spencer on the bed, still fiddling with the water bottle. “…somebody they’ve known for three months,” he continues. “And they didn’t show up their la—best friend’s housewarming partment—party.” Shot of Heidi walking across the room, only now she is holding envelopes in one hand and greeting cards in the other. “So I wrote Lauren a letter…” she says. Shot of Spencer picking at his fingernails. The Arrowhead bottle is tucked into the pile of men’s clothes next to him. He looks up. “…about not coming to the housewarming party.” Shot of Spencer on the bed with envelopes and cards suddenly in his hands. “Let me read these,” he says, smiling. Heidi’s hand can be seen picking up the cards and envelopes as they slip from Spencer’s hands onto his stomach and the bed. One card has a starfish on it and the other one has a beach scene with a lone palm tree. Under the cards, on Spencer’s stomach, is a silver cell phone. “Well, how bout you don’t read them, they’re personal,” says Heidi. “Ahhhhhhohhh,” says Spencer, widening his eyes. Shot of Heidi’s face smiling and leaning forward. The camera follows her as she bends over and pecks Spencer on the lips. Shot of Heidi straightening. “Okay should we go?” she asks, quickly. Shot of Spencer sitting up, catching the silver phone in one hand. “Look at this,” he says. A rap song with cymbals begins to play in the background. Shot of Heidi holding out a black men’s sports jacket. Spencer puts one arm through one sleeve. He is holding the silver phone with his other hand. Heidi smiles at his back as he slips into the jacket. “God, you come in handy so often these days,” says Spencer. The rap song gets loud.

_______________________________________________
Kate Durbin is a Los Angeles-based writer, performer, and transmedia artist. She is author of The Ravenous Audience (Akashic Books), E! Entertainment (Blanc Press Diamond Edition, forthcoming), and The Fashion Issue (Wonder, forthcoming). She has also written five chapbooks, including, most recently, FASHIONWHORE (Legacy Pictures) and Kept Women (Insert Press, forthcoming). She is founding editor of Gaga Stigmata, an online arts and criticism journal about Lady Gaga, which will be published as a book from Zg Press in 2012.