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Micah Towery

Thoughts on “Mock Orange” and Minimalism

Thumbnail image for Thoughts on “Mock Orange” and Minimalism July 14, 2010

Minimalism is not about powerful messages about the nihilism or poverty of the human condition (though it’s certainly easy to think so!). Instead, minimalist art creates a framework through which you view the world. It gives you the bones of the skeleton and then you fill out the flesh. But watch out! The minimalist artist still controls the bones (and hence the body that you have put on them). Minimalism is as silent as the movie frame.

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More about McLuhan and the Poetic Line

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When McLuhan described linearity (I think he actually used the term lineality…not sure if there’s a difference? Spell check doesn’t recognize the latter, if that means anything!), I couldn’t help but think about the poetic line and the way it is changing. As print culture (and hence the divorce made by the phonetic alphabet) ends, we move from the line, back to the field, back to non-linear, acoustic space.

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The Future of Poetry at the Research University

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Wendell Berry recently decided to pull his personal papers from the University of Kentucky, and it got me thinking. While I know this news story isn’t directly related to the topic of poetry (and this is–loosely–a poetry blog), I can’t help but feel it connects on some other level as we (poets) think about the [...]

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“Poetry Fix” YouTube Series Feat. Mary Karr

June 25, 2010

[Episode 1 of "Poetry Fix"]

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Print and Rhyme

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I’ve been reading a lot of Marshall McLuhan in the last several months. I know he’s not the most fashionable critic anymore, but I admire his attitude toward culture. I’ve heard some call him a “futurist” but this seems to run directly counter to McLuhan as I read him. If anything, McLuhan is a medievalist [...]

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Hamlet and his (Public) Problems

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Hamlet self-consciously reveals his inner thoughts to an audience he does/n’t know is there. Perhaps this soliloquy is a proto-modern lyric?

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Excerpt from The Book of Tea: “V. Art Appreciation”

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V. Art Appreciation Have you heard the Taoist tale of the Taming of the Harp? Once in the hoary ages in the Ravine of Lungmen stood a Kiri tree, a veritable king of the forest. It reared its head to talk to the stars; its roots struck deep into the earth, mingling their bronzed coils [...]

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Herman Melville Drinks Your Milkshake

Thumbnail image for Herman Melville Drinks Your Milkshake May 13, 2010

I was fortunate enough to have a American Literature professor who blew off the typical survey class BS and just gave us some of the best literature of the 19th century: Hawthorne, Dickinson, Melville, among others… In that class, I read Moby-Dick for the first time. I believe I read most of it over the course [...]

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Imitation/Interaction: the Greek Anthology, Augustine, the Psalms

Thumbnail image for Imitation/Interaction: the Greek Anthology, Augustine, the Psalms April 28, 2010

It’s immediately clear why Augustine is often seen as the last classical and first medieval man. He marks the ultimate synthesis of classical rhetoric and sensibilities with the concept of self that marked the Judeo-Christian tradition. As Cahill points out, the Psalms stand out among classical literature, as exceptionally personal. Augustine, says Ronald Heine, was “the undisputed master of using the psalms to lay one’s soul bare before God in the praise and confession of prayer….The psalms permeate everything Augustine wrote.” Rowan Williams points out that the very first sentence of Confessions is a quotation from the psalms. Augustine weaves them throughout such that we hardly know when the words are his and when they are not (a modern citation nightmare).

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Incantations: Michael S. Harper, A Love Supreme

Thumbnail image for Incantations: Michael S. Harper, A Love Supreme April 13, 2010

NOTE: In lieu of Grossman today, I’m posting a short essay I wrote on Michael S. Harper’s poem “Dear John, Dear Coltrane” for one of my classes back at Hunter’s MFA program. Listen to the following as you read: A Love Supreme It is almost impossible to read Michael S. Harper and not feel as though [...]

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