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	<title>the the poetry blog&#187; Technology</title>
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	<link>https://thethepoetry.com</link>
	<description>Where was it one first heard of the truth?</description>
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		<title>Translation, Film, and the ESL Student</title>
		<link>https://thethepoetry.com/2010/11/translation-film-and-the-esl-student/</link>
		<comments>https://thethepoetry.com/2010/11/translation-film-and-the-esl-student/#comments</comments>
		<pubDate>Thu, 11 Nov 2010 13:00:16 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
				<category><![CDATA[Film and TV]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Dziga Vertov]]></category>
		<category><![CDATA[ESL]]></category>
		<category><![CDATA[ESL students]]></category>
		<category><![CDATA[Horace]]></category>
		<category><![CDATA[languages]]></category>
		<category><![CDATA[Man with a Movie Camera]]></category>
		<category><![CDATA[Marshall McLuhan]]></category>
		<category><![CDATA[Odes]]></category>
		<category><![CDATA[Translations]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=3086</guid>
		<description><![CDATA[A new language is a bully. Learning a new language is not really learning a new way to communicate, but a new way to think. 


Related posts:<ol><li><a href='/2010/06/print-and-rhyme/' rel='bookmark' title='Print and Rhyme'>Print and Rhyme</a></li>
<li><a href='/2010/07/more-about-mcluhan-and-the-poetic-line/' rel='bookmark' title='More about McLuhan and the Poetic Line'>More about McLuhan and the Poetic Line</a></li>
<li><a href='/2010/10/lolcatspeak-pt-2-the-internet-of-babel/' rel='bookmark' title='LOLcatspeak, pt. 2? The Internet of Babel'>LOLcatspeak, pt. 2? The Internet of Babel</a></li>
<li><a href='/2010/10/whats-your-style-book-of-choice/' rel='bookmark' title='What&#8217;s Your Style Book of Choice?'>What&#8217;s Your Style Book of Choice?</a></li>
<li><a href='/2010/10/the-story-of-english-and-lolcats/' rel='bookmark' title='The Story of English and LOLcats'>The Story of English and LOLcats</a></li>
</ol>

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		<slash:comments>5</slash:comments>
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		<item>
		<title>More Construction Notes</title>
		<link>https://thethepoetry.com/2010/10/more-construction-notes/</link>
		<comments>https://thethepoetry.com/2010/10/more-construction-notes/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 17:52:09 +0000</pubDate>
		<dc:creator>THEthe Poetry Blog Editors</dc:creator>
				<category><![CDATA[Technology]]></category>
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		<category><![CDATA[Stewart Lundy]]></category>
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		<guid isPermaLink="false">https://thethepoetry.com/?p=2616</guid>
		<description><![CDATA[Just a few things to notice about the site redesign.


Related posts:<ol><li><a href='/2010/07/poetry-fix-episode-3-pablo-neruda/' rel='bookmark' title='Poetry Fix Episode 3: Pablo Neruda'>Poetry Fix Episode 3: Pablo Neruda</a></li>
<li><a href='/2010/05/things-to-know-celebrate-cherish/' rel='bookmark' title='Things to Know, Celebrate, Cherish:'>Things to Know, Celebrate, Cherish:</a></li>
<li><a href='/2010/10/changes-ahead-new-contributors/' rel='bookmark' title='Changes Ahead, New Contributors'>Changes Ahead, New Contributors</a></li>
<li><a href='/2010/10/anne-carson-david-shapiro-reading/' rel='bookmark' title='Anne Carson, David Shapiro Reading'>Anne Carson, David Shapiro Reading</a></li>
<li><a href='/2010/10/maggy-2-launch/' rel='bookmark' title='Maggy 2 Launch'>Maggy 2 Launch</a></li>
</ol>

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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>LOLcatspeak, pt. 2? The Internet of Babel</title>
		<link>https://thethepoetry.com/2010/10/lolcatspeak-pt-2-the-internet-of-babel/</link>
		<comments>https://thethepoetry.com/2010/10/lolcatspeak-pt-2-the-internet-of-babel/#comments</comments>
		<pubDate>Fri, 01 Oct 2010 21:56:03 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
				<category><![CDATA[Language]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=2472</guid>
		<description><![CDATA[I tend to believe that we don’t realize that technology is (always already?) an assumption about the world (as one philosopher called it “an account of the good”), not only a tool. Ironically, this writer is lamenting the disappearance of languages via the internet, which has become battering ram of English domination. The more I read and learn, the more I think that questions of technology and how man relates to nature are primary questions (not economics, race, sexuality, etc.—in many ways, the controversies over these can be directly traced to questions of technology).


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<li><a href='/2010/02/whats-your-idea-of-a-good-time/' rel='bookmark' title='WHAT&#8217;S YOUR IDEA OF A GOOD TIME?'>WHAT&#8217;S YOUR IDEA OF A GOOD TIME?</a></li>
<li><a href='/2010/04/check-out-the-thes-first-official-book-review/' rel='bookmark' title='Book Review: Map of the Folded World (John Gallaher)'>Book Review: Map of the Folded World (John Gallaher)</a></li>
<li><a href='/2010/04/the-baffler/' rel='bookmark' title='The Baffler'>The Baffler</a></li>
<li><a href='/2010/02/concerto-grosso-by-michael-snediker/' rel='bookmark' title='&#8220;Concerto Grosso&#8221; by Michael Snediker'>&#8220;Concerto Grosso&#8221; by Michael Snediker</a></li>
</ol>

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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>More about McLuhan and the Poetic Line</title>
		<link>https://thethepoetry.com/2010/07/more-about-mcluhan-and-the-poetic-line/</link>
		<comments>https://thethepoetry.com/2010/07/more-about-mcluhan-and-the-poetic-line/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 00:47:40 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
				<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Baudelaire]]></category>
		<category><![CDATA[high modernism]]></category>
		<category><![CDATA[Marshall McLuhan]]></category>
		<category><![CDATA[Phoenecian alphabet]]></category>
		<category><![CDATA[poetic line]]></category>
		<category><![CDATA[symbolism]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=2335</guid>
		<description><![CDATA[When McLuhan described linearity (I think he actually used the term lineality...not sure if there's a difference? Spell check doesn't recognize the latter, if that means anything!), I couldn't help but think about the poetic line and the way it is changing. As print culture (and hence the divorce made by the phonetic alphabet) ends, we move from the line, back to the field, back to non-linear, acoustic space.


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<li><a href='/2010/03/blogging-through-grossman-part-3-where-are-we-poetic-promiscuity/' rel='bookmark' title='Blogging through Grossman, Part 3: Poetic Promiscuity.'>Blogging through Grossman, Part 3: Poetic Promiscuity.</a></li>
<li><a href='/2010/04/all-the-people-of-the-universe-an-interview-with-dorothea-lasky/' rel='bookmark' title='All the People of the Universe (An interview with Dorothea Lasky)'>All the People of the Universe (An interview with Dorothea Lasky)</a></li>
<li><a href='/2010/03/1486/' rel='bookmark' title='TheThe'>TheThe</a></li>
</ol>

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		<title>The Baffler</title>
		<link>https://thethepoetry.com/2010/04/the-baffler/</link>
		<comments>https://thethepoetry.com/2010/04/the-baffler/#comments</comments>
		<pubDate>Sun, 18 Apr 2010 20:34:25 +0000</pubDate>
		<dc:creator>Evan Hansen</dc:creator>
				<category><![CDATA[Poetry and Poetics]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Adbusters]]></category>
		<category><![CDATA[Baffler]]></category>
		<category><![CDATA[Culture Jamming]]></category>
		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[Devin Johnston]]></category>
		<category><![CDATA[feral houses]]></category>
		<category><![CDATA[finance]]></category>
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		<category><![CDATA[Jack Spicer]]></category>
		<category><![CDATA[Journal of Mental Environment]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[naive vitality]]></category>
		<category><![CDATA[Naomi Klein]]></category>
		<category><![CDATA[No Logo]]></category>
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		<category><![CDATA[OR]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Portland]]></category>
		<category><![CDATA[rae armantrout]]></category>
		<category><![CDATA[rhetorically Structuralist]]></category>
		<category><![CDATA[Rich's Cigar Shop]]></category>
		<category><![CDATA[social networking]]></category>
		<category><![CDATA[Thomas Sayers Ellis]]></category>
		<category><![CDATA[upper middle class political stuff]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=1992</guid>
		<description><![CDATA[When I was in my late teens or early 20s, I was at Rich’s Cigar Shop in Portland, Oregon, which had the best magazine selection in the city in those days, and I picked up a copy of a magazine called Adbusters. The magazine had a hole in it, and a card insert with just a black spot on it, both of which were part of that particular issue’s design. I liked it. The subtitle was: “A Journal of the Mental Environment,” or something similarly boldly rhetorically Structuralist. I was surprised. I was excited. The articles were different, advocated for political agency in a way different than any I'd experienced. I felt that naïve vitality that, at 31, seems more and more difficult to kindle.


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<li><a href='/2010/02/golden-splinter/' rel='bookmark' title='Golden Splinter'>Golden Splinter</a></li>
<li><a href='/2010/02/by-heart/' rel='bookmark' title='by heart'>by heart</a></li>
<li><a href='/2010/04/happy-poetry-month-2/' rel='bookmark' title='Happy Poetry Month!'>Happy Poetry Month!</a></li>
<li><a href='/2010/03/paparazzi/' rel='bookmark' title='Paparazzi'>Paparazzi</a></li>
</ol>

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		</item>
		<item>
		<title>Do Movie Critics Matter?</title>
		<link>https://thethepoetry.com/2010/03/do-movie-critics-matter/</link>
		<comments>https://thethepoetry.com/2010/03/do-movie-critics-matter/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 00:03:35 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Film and TV]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Andrew Sarris]]></category>
		<category><![CDATA[Armond White]]></category>
		<category><![CDATA[blogosphere]]></category>
		<category><![CDATA[cinephilia]]></category>
		<category><![CDATA[Film Criticism]]></category>
		<category><![CDATA[Molly Haskell]]></category>
		<category><![CDATA[Pauline Kael]]></category>
		<category><![CDATA[Roger Ebert]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=1406</guid>
		<description><![CDATA[Journalistic standards have changed so drastically that, when I took the podium at the film circle’s dinner and quoted Pauline Kael’s 1974 alarm, “Criticism is all that stands between the public and advertising,” the gala’s audience responded with an audible hush—not applause.


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<li><a href='/2010/02/a-preface-to-a-blog-auguries-of-experience/' rel='bookmark' title='A Preface to a Blog: Auguries of Experience'>A Preface to a Blog: Auguries of Experience</a></li>
<li><a href='/2010/02/keats-revisited-its-not-a-well-wrought-urn-its-a-well-of-ashes-and-wine/' rel='bookmark' title='Keats Revisited: &#8220;It&#8217;s Not a Well-Wrought Urn, it&#8217;s a Well of Ashes and Wine&#8221;'>Keats Revisited: &#8220;It&#8217;s Not a Well-Wrought Urn, it&#8217;s a Well of Ashes and Wine&#8221;</a></li>
<li><a href='/2010/02/a-brief-and-not-recent-internet-roundup/' rel='bookmark' title='a brief and not recent internet roundup'>a brief and not recent internet roundup</a></li>
<li><a href='/2010/02/the-truth-beauty-debate-keats-ode-on-a-grecian-urn-part-1/' rel='bookmark' title='The Ill-Wrought Urn? A Literary Critical Debate in Truth &amp; Beauty, Part 1'>The Ill-Wrought Urn? A Literary Critical Debate in Truth &#038; Beauty, Part 1</a></li>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Blogging through Grossman, Part 3: Poetic Promiscuity.</title>
		<link>https://thethepoetry.com/2010/03/blogging-through-grossman-part-3-where-are-we-poetic-promiscuity/</link>
		<comments>https://thethepoetry.com/2010/03/blogging-through-grossman-part-3-where-are-we-poetic-promiscuity/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 19:48:56 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
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		<category><![CDATA[Armond White]]></category>
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		<category><![CDATA[Oxnian Review]]></category>
		<category><![CDATA[Persons]]></category>
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		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Robert Lowell]]></category>
		<category><![CDATA[T.S. Eliot]]></category>
		<category><![CDATA[The Sighted Singer]]></category>
		<category><![CDATA[W. B. Yeats]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=729</guid>
		<description><![CDATA[We recent poets have two great tools at our disposal: freedom of poetic license, and freedom of publishing. Generally, we can say whatever we want, and get a significant number of people to hear what we have to say. The question is whether this freedom has led to better poetry or degeneration. Perhaps that’s not the best way to put it. The question should be, even if somebody is doing something amazing and new in poetry, would we even see it? Will we travel all this way to find that we really did need the gatekeepers of poetry??


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<li><a href='/2010/02/blogging-through-grossman-part-2-grossman-demolishes-otherness/' rel='bookmark' title='Blogging through Grossman, Part 2: Grossman demolishes otherness?'>Blogging through Grossman, Part 2: Grossman demolishes otherness?</a></li>
<li><a href='/2010/02/some-books-on-my-mind-or-potential-purchases-of-imperishables/' rel='bookmark' title='Some Books on My Mind, or {Potential} Purchases of Imperishables'>Some Books on My Mind, or {Potential} Purchases of Imperishables</a></li>
<li><a href='/2010/02/the-tenth-muse-with-john-ashbery-92nd-y-monday-8pm/' rel='bookmark' title='The Tenth Muse with John Ashbery: 92nd Y, Monday, 8pm'>The Tenth Muse with John Ashbery: 92nd Y, Monday, 8pm</a></li>
<li><a href='/2010/02/google-uses-wittgenstein/' rel='bookmark' title='Google Uses Wittgenstein'>Google Uses Wittgenstein</a></li>
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		<title>Google Uses Wittgenstein</title>
		<link>https://thethepoetry.com/2010/02/google-uses-wittgenstein/</link>
		<comments>https://thethepoetry.com/2010/02/google-uses-wittgenstein/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 19:50:12 +0000</pubDate>
		<dc:creator>Micah Towery</dc:creator>
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		<category><![CDATA[Lineation]]></category>
		<category><![CDATA[The Red Wheelbarrow]]></category>
		<category><![CDATA[William Carlos Williams]]></category>
		<category><![CDATA[Wittgenstein]]></category>

		<guid isPermaLink="false">https://thethepoetry.com/?p=504</guid>
		<description><![CDATA[Canada, it's spring-break time. We've already got trees budding. Actually, many schools have gotten the whole Winter Olympics off for two or three weeks of extended spring break drunkenness. I've been glued to CTV for the last week or so, watching my new favorite sport: curling. No joke, this game is intense.


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<li><a href='/2010/02/spam-folder-amateur-gemology/' rel='bookmark' title='Spam Folder Amateur Gemology'>Spam Folder Amateur Gemology</a></li>
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<li><a href='/2010/02/the-truth-beauty-debate-keats-ode-on-a-grecian-urn-part-1/' rel='bookmark' title='The Ill-Wrought Urn? A Literary Critical Debate in Truth &amp; Beauty, Part 1'>The Ill-Wrought Urn? A Literary Critical Debate in Truth &#038; Beauty, Part 1</a></li>
</ol>

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